Play
Brand

Durango — Caleb Smidt

A Durango Boots featurette on Caleb Smidt, four-time PRCA World Champion tie-down roper. The arena, the rope, the partnership with his horse. Directed by Nick Rubino, shot anamorphic in Texas.

FPS24.000 SHUTTER172.8 IRIST 2.80/10 EI800 ND0.6 WB5600K+0.0
CCM-1
EVF LOG
CAM 4KRAWK447
FCL40.0mm PWR26.5V A_0004C001 STBY MEDIA0:21h TC02:20:35:09
Director
Nick Rubino
Location
Caleb Smidt's ranch · Texas
Format
8K Vista Vision Anamorphic · 2.39:1
Camera
RED V-Raptor 8K VV
Lenses
Atlas Orion 2× Anamorphic
Stills / 06 frames
Still 1 from Durango — Caleb Smidt — cinematography by Grant Smucker
Still 2 from Durango — Caleb Smidt — cinematography by Grant Smucker
Still 3 from Durango — Caleb Smidt — cinematography by Grant Smucker
Still 4 from Durango — Caleb Smidt — cinematography by Grant Smucker
Still 5 from Durango — Caleb Smidt — cinematography by Grant Smucker
Still 6 from Durango — Caleb Smidt — cinematography by Grant Smucker
Credits
Director
Nick Rubino
Director of Photography
Grant Smucker
Featured Athlete
Caleb Smidt (4× PRCA World Champion)
Client
Durango Boots
Behind the Scenes / on set
Behind the scenes on Durango — Caleb Smidt — frame 1
Case Study

Durango Boots wanted a featurette on Caleb Smidt that didn't look like advertising. Four-time PRCA World Champion tie-down roper, and the brand wanted the work behind the championships, not the highlight reel. The plan was a day in the life shot on location at Caleb's ranch and training facility. The frame had to feel earned. The camera had to belong on the property.

We shot on the RED V-Raptor in 8K Vista Vision with Atlas Orion 2× anamorphic primes. Anamorphic on a working ranch is a specific choice. The horizontal stretch reads as cinematic without imposing on the subject, and Atlas Orion's character (long flares, falloff that holds skin tone in mixed exterior light) gave us a softer treatment of hard Texas daylight than a clean lens would have. 8K gave us latitude to reframe in post and pull stills from the master for stand-alone use.

The interview happened in Caleb's tack closet. Small room, lots of leather and rope, naturally cinematic on its own. We lit it with a single Nanlite PavoTube programmed for a slow light sweep across the frame. The sweep mimics the way light moves through an open barn door as the sun shifts. It pulled the eye through the interview without ever drawing attention to itself.

The structure was simple. Follow Caleb through his practice schedule and shoot the work that actually fills his day. Roping reps, horse care, the small adjustments between runs. The cinematography had to honor that rhythm. No restaging, no over-coverage. The footage that made the cut is the footage that happened. Directed by Nick Rubino.

Rock City — First Noel — next project
Next Project Rock City — First Noel Music  ·  Continue →